Film Analysis of Still Wylde by Williams Emmanuella Nyameyie

WILLIAMS EMMANUELLA NYAMEYIE

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written and directed by Ingrid Haas

Still Wylde is a short film that walks us through the emotional ups and downs of a couple dealing with an unexpected pregnancy that ends in a miscarriage. It is tender, honest, and quietly heartbreaking. From the start, the film does not rush to impress but allows the characters to exist in their awkwardness, confusion, and rawness and that is what makes it so real.

The story follows a woman who finds out she is pregnant and reacts not with excitement, but with fear, anxiety, and uncertainty. Her boyfriend, who seems a bit inconsistent—like he is there but not always fully present—surprisingly stays with her through the whole experience. That in itself was unexpected. You would think he would leave, but he does not.

Their goal seems simple: to go through the pregnancy and figure things out along the way. But the real conflict comes in the form of something neither of them can control—the miscarriage. The central message is that life doesn’t always go as planned, and even moments that are supposed to bring joy can carry deep pain and transformation. There is also something in there about facing loss together, even when you’re both unsure.

The main characters feel real—imperfect, anxious, unsure. The woman is quirky, clearly overthinking everything, and shows her worry in small, subtle ways—like pacing, panicking, or blurting things out. The guy, although not the most stable character emotionally, has his moments. Their back-and-forth shows just how complex relationships can get when life throws something big at you.

I liked how their dialogue did not feel forced. It felt like watching a real couple trying to figure things out without a script. The way the woman lashes out at times, and how the guy tries (sometimes fails) to meet her halfway, makes their relationship feel layered and believable.


The cinematography plays a big role in helping us feel close to them. The use of medium shots and close-ups made me feel like I was right there in the room, seeing what they saw, feeling what they felt. One shot that stood out to me was the dead flowers in the middle of the frame—with the woman pacing behind them. That image stayed with me. It was almost like a quiet warning, a soft symbol that something was going to go wrong.

The music was not overpowering. It sat quietly in the background and let the story lead. That worked well because the emotions were already heavy, and anything louder might have taken away from the honesty of it. Even the silence was powerful. The dialogue was clear, and the small sound choices—like the test kit or the woman’s footsteps—added to the tension.

This short film did not try too hard and that is why it worked. It felt like I was watching two real people go through something hard, something no one really prepares for. It brought up feelings of sadness, anxiety, and also a bit of unexpected hope, even though it ends in loss.

Its biggest strength is how honest it is. It does not wrap things up with a nice bow. It just shows life as it is—messy, unpredictable, and full of complicated emotions. If someone asked me if they should watch it, I would say yes. Especially if they like stories that sit with you for a while, even after the screen goes black.



What stood out the most for me was how the woman chose to accept the miscarriage and move forward—not in denial, but with quiet strength. After everything, she goes back to the grocery store—not just to pick up a drink, but as if she is reclaiming a sense of normalcy. And when the shopkeeper asks how she is doing, she does not hide it. She says what happened. That moment felt raw, but also bold, because miscarriage is something so many women go through but rarely talk about.

What really hit me was when she said, “I’m not broken.” That line stayed with me. She had just experienced something traumatic, but still chose not to carry shame. She even decided to get a tattoo in the final scene—maybe as a way to mark this moment in her life, not as something to forget, but as something she lived through. That kind of emotional courage left a lasting impression on me. It reminded me that healing does not always look dramatic—sometimes, it looks like going back to the store, telling the truth, and still choosing to move forward.

 

Watch here: https://youtu.be/wW6ZQ2Z3XdM?si=17_lMnQISMPi3IiP

#VS2025 #VisualStorytelling #UNIMACIFT

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